Celine Dion Let Talk About Love A Journey to the End of Taste 33 1/3 Carl Wilson 9780826427885 Books
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Celine Dion Let Talk About Love A Journey to the End of Taste 33 1/3 Carl Wilson 9780826427885 Books
Carl Wilson writes an honest and courageous book about his own musical tastes and about what our sense of taste means in general. He goes into his own mind in ways most of us would hesitate to examine. The book is nominally about the music of Céline Dion, but it covers a vast array of topics. It is much more than a book about music.Let's Talk About Love: A Journey to the End of Taste, is memoir, music criticism, philosophy, anthropology, and more. Wilson investigates how our personal history, our thoughts, and emotions, our place in society all help explain what we like and what we don't.
The book's been reissued with a new subtitle as, Let's Talk About Love: Why other People Have Such Bad Taste, and with a Part II that includes some dozen essays by others. I intend to read that version too, but this review is about the earlier version.
I began the book with no special like or dislike for Dion, and ended without any new opinions about her. She is really not the point of the book though, only a well-examined example. Maybe more well examined than necessary.
What Wilson's book does for me is help in finding ways to process through some of the opinions I might have about a movie, a book, a poem, even a philosopher or a politician, and realize the complex ways I came to those opinions. I see even more that, if my life experiences had been different, I might like and dislike different things. That might be the most important point of the book.
Tags : Celine Dion's Let's Talk About Love: A Journey to the End of Taste (33 1/3) [Carl Wilson] on Amazon.com. *FREE* shipping on qualifying offers. Non-fans regard Céline Dion as ersatz and plastic, yet to those who love her, no one could be more real,Carl Wilson,Celine Dion's Let's Talk About Love: A Journey to the End of Taste (33 13),Continuum,082642788X,Genres & Styles - Rock,History & Criticism - General,Dion, Celine,Dion, Celine - Criticism and interpretation,Popular music - History and criticism,Popular music;History and criticism.,103301 Continuum US AP General,Canada,Criticism and interpretation,Dion, Câeline,Dion, Câeline.,GENERAL,History & Criticism,History and criticism,Instruction & Study - Appreciation,Let's talk about love,MUSIC Genres & Styles Rock,MUSIC History & Criticism,MUSIC Instruction & Study Appreciation,Music,MusicSongbooks,Music: Genres & Styles Rock,Music: History & Criticism,Non-Fiction,Popular music,Rock & pop,ScholarlyUndergraduate,Theory of music & musicology,United States,MUSIC General
Celine Dion Let Talk About Love A Journey to the End of Taste 33 1/3 Carl Wilson 9780826427885 Books Reviews
This book won't convince you to like Celine Dion but it will get you thinking about why you like certain things and hate other things and in the process you will learn tons and tons of things that you will love learning. This book is so fascinating that I bought it for my 22 year old nephew who is a music reviewer. It is just a little skinny book but it is jammed full of brilliance. Bravo!!!
Yes. A moving story about the authors personal life and a contemplation on how our divides in taste can become a public, democratic, and empathetic challenge to help each of us grow.
Go Carl Wilson this rocks.
Carl Wilson's "Let's Talk About Love A Journey to the End of Taste" is among the best books ever written about popular music and its aesthetics.
For a short book, it covers significant ground, deftly drawing insights from academic cultural theory, while remaining engaging, personal, and easily comprehensible throughout.
The discussions of cultural capital and anger schmaltz alone are worth the price of the book.
It's no accident that some reviewers encountered this book in a college class, for it's a great introduction to the discourse around aesthetics. If I was teaching such a class, I'd assign it for sure.
It's a shame some of these undergrads didn't like Wilson's book. But don't let their opinions deter you from reading it. Maybe I'm a snob to say so, but I suspect they're not the sharpest tools in the shed.
Witty, engrossing, and provocative. The tyranny of taste given the once over. A brief, brisk read --high recommended to Dion lovers and those of us who simply can't believe that Other People like her.
I normally shy away from reviews but I liked this book so much I wanted to share. This is a humorous, well researched dive into humbling humanity and our taste for the elusive cool or uncool. Through Mr. Wilson's own reflection on his apathy toward one of the queens of mainstream music, the recently widowed Ms. Dion, you become a journeymen. A duo bound for the depths of your shame and judgement. This book led me into deep thought of how I view other's tastes or distastes for that matter. A lot to unpack for a little book. I have to admit I'm a Celine fan and that prompted me to buy this book and I'm happy I did. I don't share some of Mr. Wilson's views regarding matters of faith or God, but it doesn't impede that fact that this book is thought provoking, funny, intelligent, so stinking vulnerable and human.
This is an interesting, thoughtful, and humane book with a touch of humor by a prominent music critic. Carl Wilson takes his best shot at redeeming Celine Dion from the critical consensus that she is supremely kitsch and uncool. He does this as an exercise, in order to demonstrate how that seemingly solid judgment can actually rest on snobbery, nationalism, ignorance, and class anxiety. The details are very interesting we learn about the political history of Quebec, the turn against sentimentality in art, and how improvements in microphone technology led to the denigration of "big voice" style.
Wilson's fresh summary of Pierre Bourdieu's *Distinction* and some more recent empirical work is very good and benefits greatly from his pop-culture examples. I was surprised to learn of the survey results demonstrating that people with greater musical tolerance easily learn to appreciate the music associated with racial minorities (jazz, latin, etc.), but only extremely tolerant listeners do not shun heavy metal, gospel, and other music associated with low education. I suspect Wilson is on to something when he suggests that critics' extreme distaste for Celion Dion is partly motivated by a desire to distance themselves from low education / "white trash" culture.
The author also name-checks Hume, Kant, and other deep thinkers on the nature of taste, but these philosophical parts of the book are the shortest and least enlightening.
Later in the book Wilson meets with some fans of Dion to discuss why they like her music and what she means to them. This section cashes out the more speculative, sociological/philosophical passages. Wilson displays a deep humanity in these chapters. The fans have their own complicated backgrounds, as everyone does, and their admiration for Dion rings true in the context of their convictions, affiliations, bonds, heritage, and ways of living. These portraits make apparent how easily a critic could denigrate their musical tastes in the course of thoughtless social jockeying.
The book ends with a review of the album *Let's Talk About Love*, informed by what Wilson has learned in the course of his research. It's very charitable, but it wouldn't convince me to buy the album. Almost, though.
Carl Wilson writes an honest and courageous book about his own musical tastes and about what our sense of taste means in general. He goes into his own mind in ways most of us would hesitate to examine. The book is nominally about the music of Céline Dion, but it covers a vast array of topics. It is much more than a book about music.
Let's Talk About Love A Journey to the End of Taste, is memoir, music criticism, philosophy, anthropology, and more. Wilson investigates how our personal history, our thoughts, and emotions, our place in society all help explain what we like and what we don't.
The book's been reissued with a new subtitle as, Let's Talk About Love Why other People Have Such Bad Taste, and with a Part II that includes some dozen essays by others. I intend to read that version too, but this review is about the earlier version.
I began the book with no special like or dislike for Dion, and ended without any new opinions about her. She is really not the point of the book though, only a well-examined example. Maybe more well examined than necessary.
What Wilson's book does for me is help in finding ways to process through some of the opinions I might have about a movie, a book, a poem, even a philosopher or a politician, and realize the complex ways I came to those opinions. I see even more that, if my life experiences had been different, I might like and dislike different things. That might be the most important point of the book.
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